ep 01
Revenge · 36 episodes · YourChannel
She jumped from the castle tower rather than surrender their half-vampire child. Five years later the prince who once called the baby an abomination crosses a border river to win them both back.
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Elara's voiceover opens the drama: somehow I ended up pregnant with a half human, half vampire baby, a child vampires were never supposed to be able to have. But he told me to get rid of the baby. She stands in the moonlight and tells him plainly: I'm pregnant, get rid of that filthy little mistake. Kyle looks down at her. The court hammers the point: you're just a lowly human blood servant, you're not worthy of carrying the heir to the Voss family, that half-breed abomination should have never existed, a human and a vampire should never be together, it's forbidden.
On the run in the Black Forest the night beasts track them by the scent of their bloodline. Kyle uses his own blood to cover her human scent: my bloodline is low ranked, it won't draw the attention of the high vampires, run straight ahead, that's the border river between the human world and the vampire realm. Elara's vow carries the rest of the story: even if I fall into the abyss, I will keep my vampire child safe. The hunters call after her to surrender and they may spare her life, but that abomination in her womb has to die. Her answer is the thesis of the whole drama: you want my child? You'll have to step over my dead body first, mommy will protect you, I promise.
The tender memory breaks her: from now on, no one's ever gonna hurt you again, you're the one exception in a thousand years of my life. Then the council's secret order arrives, and his love turns to a knife: that was nothing but a passing fascination, you and that little abomination both have to disappear. Elara makes her choice: to keep them from hurting my baby, I broke my blood bond with Kyle and jumped from the castle tower. The court explains what they really want: Elara carries the dormant bloodline of the first vampire, she's the only vessel in their entire race who can carry a stable half-blood child, and they intend to use her to control the future of their bloodline.
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
Elara, Kyle Voss and Liam carry the opening arc.
A human orphan taken into the Voss castle as a blood servant, Elara never knew she carried the dormant bloodline of the first vampire until she became pregnant. The council calls her a vessel, the court calls her a lowly servant, and the man who once told her she was his exception calls the baby a little monster. She breaks her own blood bond and jumps from the tower rather than surrender the child.
“You want my child? You'll have to step over my dead body first. Mommy will protect you, I promise.”
Silver-haired, sealed inside the black castle, Kyle is the heir a pure-blood court expects to marry a noblewoman. He kept Elara by his side for five years because of her dormant bloodline, and then the council forced his hand: spare the mother, kill the child. Later he uses his own blood to cover her scent so the night beasts won't track them.
Born on the run across the border river, Liam grows up hidden in the human world while the vampire court believes the abomination they ordered dead is gone. He carries the dormant bloodline of the first vampire, the very line the council wants to control, and later unleashes power at the blood moon trial.
Editorial picks from the opening arc — the pregnancy confession, the tower jump, the vessel reveal, and the border-river vow.
Elara stands before the prince and says the words that should never leave a blood servant's mouth: I'm pregnant. Kyle's answer is cold: get rid of that filthy little mistake. The court piles on: that half-breed abomination should have never existed, a human and a vampire should never be together. One woman against an entire bloodline.
Elara remembers the line that once meant everything: you're the one exception in a thousand years of my life. Then the council's secret order arrives and it all collapses: that was nothing but a passing fascination. Her answer is to break her own blood bond and jump from the castle tower. Kyle screams after her: are you insane, get back here.
The court explains why they really want her alive: she carries the dormant bloodline of the first vampire, the only vessel in their race who can carry a stable half-blood child. The order is mercenary: spare the mother, kill the child, keep her alive to control the future of their bloodline.
Hunters close in from the Black Forest, tracking them by the scent of their bloodline. Elara's vow is the whole arc compressed: even if I fall into the abyss, I will keep my vampire child safe. Five years later the half-blood son stands at the blood moon trial.
Captured from the opening episodes — not promotional art.
Written from the opening arc. These are editorial impressions, not audience scores.
She does not negotiate for the child. She breaks her own blood bond, leaps from the tower, and runs across a border river with night beasts on her scent. Her vow — step over my dead body first — is the engine of the whole run.
He tells her she is the one exception in a thousand years, and two scenes later he calls the baby an abomination. The slow collapse of that promise, and the long road back when he uses his own blood to cover hers, is the emotional core.
The council is not just evil for evil's sake — they want Elara alive because she alone carries the dormant bloodline of the first vampire. Someone chose spare the mother, kill the child, and the early episodes plant that thread long before the blood moon trial settles it.
Best for viewers who like vampire hidden-heir romances where the heroine jumps first and argues never; if you need a sympathetic prince early, this one calls the baby an abomination. Compared with most vampire shorts, the engine is a mother's vow rather than a romance — that maternal drive is both its strength and its limit.
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