The Student in the Slums
Ophelia keeps up with her studies on multiple part-time jobs while being exploited by a harsh adoptive family. The opening episodes establish how little she has before Marrick enters the picture.
ep 01
Hidden Identity · 70 episodes · YourChannel
A disadvantaged college student stumbles into a black-market danger and meets her university’s restrained, intensely possessive finance professor — and ends up carrying his twins.
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The premise is a collision of two worlds inside one university. Ophelia is a disadvantaged student who grew up in the slums, exploited by a harsh adoptive family and an idle adoptive brother, and who keeps up with her studies on multiple part-time jobs. Marrick is the finance professor at that same university and the heir to a top wealthy family. They do not meet in a lecture hall — they meet when she is dragged into a black-market incident while trying to pay a so-called medical bill, and he is the one who steps in.
The series runs 70 episodes in English, with the opening stretch playable on the official YourChannel player. That opening stretch covers Ophelia’s hardship, the black-market encounter, the one-night meeting, the pregnancy, Frostmoor Manor, and the return of Charis — Marrick’s ballerina ex-fiancée, who begins to target Ophelia. The longer arc of family secrets, rival schemes and the question of where Ophelia finally belongs is left to the show rather than summarised here.
What the opening stretch does is turn that rescue into a forbidden bond. After an unexpected one-night encounter, Ophelia conceives twins. Marrick appears refined, restrained and distant from others, but he is intensely possessive underneath, and he takes her to Frostmoor Manor to care for her tenderly. The teacher-student line makes the relationship forbidden from the start, and the class gap makes it fragile. The early episodes stay on that tension rather than resolving it.
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
Ophelia, Marrick and Charis carry the opening arc.
A disadvantaged female college student who grew up in the slums, exploited by a harsh adoptive family and an idle adoptive brother, and keeps up with her studies through multiple part-time jobs. She meets her finance professor Marrick during a black-market incident and, after an unexpected one-night encounter, conceives twins.
Ophelia’s university finance professor and the heir to a top wealthy family. Refined, restrained and distant on the surface, he is intensely possessive underneath, and he takes Ophelia to Frostmoor Manor to care for her tenderly once the one-night encounter changes everything.
A ballerina with the same teardrop mole who was previously engaged to Marrick. When she returns from tour, she notices his special affection for Ophelia and begins to target her relentlessly, spreading rumors and framing her across the early arc.
Four editorial picks from the opening campus arc — the hardship, the black-market meeting, the manor and the returning ex-fiancée. No ending spoilers.
Ophelia keeps up with her studies on multiple part-time jobs while being exploited by a harsh adoptive family. The opening episodes establish how little she has before Marrick enters the picture.
To raise money for her adoptive father’s so-called medical bills, Ophelia strays into danger in the black market — and runs into her own finance professor, the heir of a top wealthy family.
After an unexpected one-night encounter, Marrick takes Ophelia to Frostmoor Manor. The restrained, distant professor turns out to be intensely possessive underneath, and the teacher-student line makes the bond forbidden.
Marrick’s ballerina ex-fiancée returns from tour and notices his special affection for Ophelia. From her first scenes the early arc has a clear antagonist inside the manor.
Captured from the opening episodes — not promotional art.






Written from the opening arc. These are editorial impressions, not audience scores.
The show leans hard on the class gap: a student working multiple part-time jobs against a professor who is also a wealthy heir. The forbidden teacher-student line keeps the romance edged rather than smooth.
Marrick is written as restrained on the surface and possessive underneath, which is the engine of the early arc. Ophelia’s perseverance rather than her beauty is what the show leans on as the relationship deepens.
Best for viewers who like campus billionaires, forbidden teacher-student romance, a disadvantaged heroine and a long, slow-burn 70-episode run. If you want a light or single-campus romance without the wealthy-family machinery, the early episodes stay on the darker, scheming side. The twin pregnancy and the ex-fiancée’s return give the opening arc two clear engines at once.
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