The Contract
An elite assassin is sent to kill Egypt's feared Death Queen. The series opens on a job that looks like any other, before the contract reaches its target.
ep 01
Fantasy · 30 episodes · YourChannel
An assassin sent to kill Egypt's Death Queen discovers she is spending her life imprisoning an ancient god.
Playback happens in YourChannel's official player, in the browser. We link to nothing else.
The premise is a contract that goes sideways on arrival. An elite assassin is sent to kill Egypt's feared Death Queen, and what he finds is not a monster but a woman spending her own life to hold an ancient god in prison. The official description frames her as the thing the kingdom is afraid of, and the show's first move is to flip that fear into something closer to sacrifice.
The series runs 30 episodes in English, with the opening stretch playable on the official YourChannel player. That opening stretch covers the contract, the discovery of the god prison, and the betrayal that makes him her protector. The longer arc of saving the kingdom and the queen herself is left to the show rather than recounted here.
The turn is structural rather than emotional. The assassin is betrayed by his own order before he has even decided whether to complete the contract. That betrayal turns him into the queen's sworn protector, and the opening arc is him battling armies, monsters and treachery on her behalf. The official description names no character — the assassin is 'an elite assassin' and the queen is 'Egypt's Death Queen' — so this page keeps to those roles rather than inventing names.
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
The Assassin, The Death Queen and The Betraying Order carry the opening arc.
An elite assassin sent on a contract to kill Egypt's feared Death Queen, who defects when he learns what she is actually doing. Betrayed by his own order, he becomes her sworn protector and battles armies, monsters and treachery on her behalf.
Egypt's feared Death Queen, whom the kingdom treats as a monster. The official description reveals she is sacrificing her own life to keep an ancient god imprisoned, and that her death would let him break loose.
The order that dispatched the assassin to kill the queen, and that betrays him before he can finish the job. They are the reason the contract turns into a protector's oath.
Four editorial picks from the opening stretch — the contract, the discovery, the betrayal, and the first battle on her behalf. No ending spoilers.
An elite assassin is sent to kill Egypt's feared Death Queen. The series opens on a job that looks like any other, before the contract reaches its target.
What the assassin discovers is not a monster but a woman spending her life to keep an ancient god imprisoned. The fear the kingdom has is misdirected, and the opening arc reframes it.
Before he can act on what he has learned, the order that sent him betrays him. The cut-off from his old life is what makes the queen's side the only side left.
The assassin becomes the queen's sworn protector, battling armies, monsters and treachery. The title's 'mad dog' is not a joke; it is the role he takes on for the woman who should have been his mark.
Captured from the opening episodes — not promotional art.






Written from the opening arc. These are editorial impressions, not audience scores.
The show works because the assassin arrives with the wrong frame. He has been told the queen is a monster; the opening arc replaces that frame with the cost of holding a god in prison. The reframe is the engine.
The title's 'mad dog' is earned by the betrayal. Once his own order cuts him off, his loyalty to the queen is the only loyalty left, and the show treats that as a feral rather than courtly devotion.
Best for viewers who like mythological fantasy with an ancient Egypt setting, an assassin-turned-protector arc and a god-at-the-center premise. If you want a slow court romance, the opening stretch stays closer to contract, betrayal and battle. The 30-episode length keeps the arc tight and the premise central.
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