They Called the Children Monsters
The opening frames establish the threat in the plainest possible terms: the kingdom around them has decided the babies are monsters and want them destroyed before they are born.
ep 01
Hidden Identity · 46 episodes · YourChannel
They called her children monsters and wanted them destroyed before they were born — never knowing the two little dragons were the heirs of the Dragon God.
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The premise is a mother and two hidden children on one side, and a king who has no idea he is a father on the other. The kingdom's officials have decided her children are monsters and should be destroyed before they are born, and the opening arc leans into that fear — the hiding, the running, the small everyday bravery of keeping two dragon hatchlings safe in a world that has already sentenced them.
The series runs 46 episodes in English, with the opening stretch playable on the official YourChannel player. That opening stretch covers the court's fear that the children are monsters, the mother's effort to hide them, and the first meeting between the Dragon God and the two hatchlings who already know who he is. The later episodes carry the long arc of the children's powers and the kingdom's reckoning with what they actually are, which this page deliberately leaves to the show.
The other half of the story is the Dragon God himself. The official description frames him as a ruler of an entire kingdom who has simply never been told that he has a family. When he finally tracks down his missing line, the first thing he hears from his children is the word Daddy, and the series' emotional engine is that split second of a god realising he has been a father all along. The two little dragons are written as hatchlings, not warriors, which keeps the tone on the cute-baby rather than the war-fantasy side of the genre.
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
The Mother, The Dragon God and The Two Hatchlings carry the opening arc.
The parent who has carried her children through a kingdom that has already decided they are monsters. The official description does not give her a name, but the opening arc is built around her — the hiding, the protection, and the choice to bring the children's father into the picture when she can no longer do it alone.
The man who rules an entire kingdom and who has, until the series opens, had no idea he has two small children. The first words he hears from them are Daddy, and that meeting is the emotional pivot of the opening stretch.
Two small dragon hatchlings, heirs of the Dragon God, written off by the court as monsters that should be destroyed before they are born. In practice they are the ones who know exactly who their father is, and the first to call him by the word he has never heard.
Four editorial picks from the opening stretch — the accusation, the hiding, and the meeting with the father. No ending spoilers.
The opening frames establish the threat in the plainest possible terms: the kingdom around them has decided the babies are monsters and want them destroyed before they are born.
The mother keeps two small dragon children out of sight, and the opening arc spends its quietest minutes on the ordinary texture of hiding something extraordinary.
The ruler of an entire kingdom finally tracks down his missing line, and the first thing he hears from his children is Daddy. The official description makes this the pivot of the whole story.
The god who has ruled alone learns, in the space of a single meeting, that he has been a father all along. The show lets that land before it moves on to the larger court politics.
Captured from the opening episodes — not promotional art.






Written from the opening arc. These are editorial impressions, not audience scores.
The official one-line pitch is already the whole engine: they wanted the babies destroyed, and those babies are the heirs of the Dragon God. The series does not over-explain it — it lets the kingdom's fear run against the children's obvious smallness.
It leans on the cute-baby register as much as on the dragon fantasy. The two hatchlings are written as children who know their father before he knows them, and the opening arc is as much a family-reckoning story as it is a kingdom-fantasy one.
Best for viewers who like dragon and kingdom fantasy with a cute-baby hidden-heir engine, a mother protecting two small children from a court that fears them, and a father who learns he is one in the first episode. If you want a grim dark dragon war, the opening stretch stays closer to family reveal and court fear; if you like the fated-Daddy-meets-his-hatchlings beat, this is the texture. The 46-episode run has room to widen into the kingdom's reckoning later.
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