Then Give Me Money
Maya is dumped on the street, left with her father's old pen. She murmurs 'Then give me money' — and watches it work. The wish-granting pen is real.
ep 01
Revenge · 41 episodes · YourChannel
Her boyfriend left her broke and moved in with a rich heiress. Her father left her a fountain pen that makes anything she draws come true. She draws the mansion, the jewels, and the revenge. A billionaire already knows the pen's secret.
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The opening is a crumbling apartment and a breakup. Jason stands over Maya and says he is done: he is tired of being broke, three years and she cannot keep them afloat. He chose Sophie, the rich heiress. Left with nothing, Maya remembers her father's inheritance — an old black-and-gold pen. On a desperate night she murmurs, 'Then give me money,' and watches bills materialize on her desk. The pen makes whatever she draws real.
The escalation draws the wrong eyes. Maya knows the pen is a secret she cannot share. When she mentions Victor, the warning is immediate: 'Victor likes rare things. He likes owning them more.' The question is whether Victor is her protector or the next person who wants to own the pen — and her.
What starts as rent becomes a new life. Maya draws gowns, diamonds, and eventually an entire mansion. Jason reappears, begging, and swears Sophie means nothing to him. At the party Sophie corners her, asking who bought the new look, and clocks that Maya had nothing two days ago: 'Something is seriously off with this girl.'
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
Maya Reed, Victor Vale and Sophie carry the opening arc.
Long brown hair, simple cardigans and slip dresses, tired eyes that harden once the pen works. Maya lives in a crumbling walk-up and draws at a rickety desk. When Jason dumps her, she is left with nothing but her father's old pen.
“Then give me money.”
Dark hair, tailored dark suits, watchful eyes. Victor moves through high society like he owns it, and does not flinch when impossible things happen. He knows what the pen is and who made it.
“Victor likes rare things. He likes owning them more.”
Long highlighted hair, white blazers, designer bags, a confident smirk. Sophie has money and status and uses both to remind Maya that she lost — until she clocks that Maya's new luck appeared out of nowhere.
“Something is seriously off with this girl.”
Editorial picks from the opening arc — the pen working, the ex returning, and the billionaire closing in. No ending spoilers.
Maya is dumped on the street, left with her father's old pen. She murmurs 'Then give me money' — and watches it work. The wish-granting pen is real.
Jason reappears begging, stunned by Maya's new life, and swears the rich heiress was nothing. The ex wants her back now that she has diamonds.
Sophie the heiress clocks the new Maya: she had no bags, no diamonds two days ago, and now she has them. The woman who mocked her now suspects the luck is impossible.
Maya draws a mansion and it becomes real. The warning about the watching billionaire is cold: he likes rare things, and likes owning them more. Victor is closing in.
Captured from the opening episodes — not promotional art.









Written from the opening arc. These are editorial impressions, not audience scores.
The pen makes anything Maya draws real, and she does not use it modestly. She goes from rent money to gowns, diamonds, and a mansion in a few episodes, and the escalation is the whole fun of the show.
Maya is not a Cinderella who waits to be rescued. She draws the life she was denied, watches her ex beg, and lets high society admire her. The fantasy is active, not passive.
Victor Vale knew Maya's father and the pen long before she did. The line that he likes owning rare things turns the love interest into a slow-burn question — protector or collector.
Best for viewers who like wish-fulfillment magic-object billionaire romance with an active heroine and a reverse-Cinderella arc; if you want grounded realism, the pen grants literally anything drawn. Compared with most rags-to-riches shorts, this one leans into the magic escalation — that wish-fulfillment is both its strength and its limit.
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