Episode 1 · "I'm Alive Again?"
The series opens inside the coffin: a pale hand, a stone lid, a hundred years ending in one flat question. No screaming, no tears — the awakening sets the tone for the heroine immediately.
ep 01
Werewolf · 21 episodes · SagaBox
She executed her husband a hundred years ago. The letter she just found says she was wrong.
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A hundred years ago Isabella drove the blade into the Vampire King Lionel, her husband, believing he had betrayed her, then sealed herself away. When she breaks out of her own coffin in a rain-soaked graveyard, the world has moved on: his family in chaos, his power stolen, and the only welcome left a black cat whose family has guarded her grave for three generations.
The opening episodes cover the awakening and her arrival at the Blackthrone estate, where the lady of the house makes it clear the past is not welcome there. Isabella climbs out already asking the important questions — who did this, and what year is it — calm, sharp, and completely out of time.
The letter changes everything. Sealed with Lionel's magic, it suggests the betrayal she killed him for may have been a lie — turning a century-old execution into an open case: ancient bloodlines, the Vampire King's stolen power, and a family that has been hiding the truth for a hundred years.
Series facts checked against the SagaBox listing. Notes cover the opening episodes only; nothing here reveals the ending.
Isabella, The Black Cat Familiar and The Lady of Blackthrone carry the opening arc.
She executed the Vampire King, her husband, then sealed herself away for a century. She climbs out of her coffin already asking "Who did this?" and "What year is it?" — calm, sharp, and a hundred years late for the truth.
Its family has guarded Isabella's grave for three generations. Now it walks her through the modern city, calls her "my lady," sets the agenda for the night, and back-talks the whole way — the show's contrast-cute centerpiece.
Red gown, diamond choker, and a verdict ready before the guest finishes dripping. The estate's first line of defense — and very likely part of the cover-up. The show never names her; she is credited by office.
Moments from the opening run that set up the rest.
The series opens inside the coffin: a pale hand, a stone lid, a hundred years ending in one flat question. No screaming, no tears — the awakening sets the tone for the heroine immediately.
Her first full sentence out of the coffin is an accusation. A century of sleep and the grudge is intact — the show's whole engine in three words.
The black cat familiar makes the introductions: its family has guarded Isabella's grave for three generations. The unlikely pairing that carries the opening starts right here.
The welcome at the Blackthrone estate: the lady of the house interrogates the heir who took Isabella in. The family's contempt and the cover-up start showing their edges.
Captured from the opening episodes — not promotional art.










Written from the opening arc. These are editorial impressions, not audience scores.
The hook is the title question turned inside out: she did not kill a monster, she may have killed an innocent man — and the letter to prove it arrives a hundred years late.
A cold-blooded heroine who asks for the year before she asks for help, paired with a three-generation gravekeeping cat with butler manners. The deadpan delivery against a gothic graveyard is the contrast-cute the show does best.
Best for viewers who like dark fantasy served as a truth-and-conspiracy mystery rather than a rescue romance; if you want the vampire leads reunited immediately, the opening arc is all awakening and suspicion. Compared with most vampire shorts, this one makes the heroine the suspect rather than the victim — that inversion is both its strength and its limit.
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