The Funeral
Roland's death makes Adrian the sole heir and Elias the dead tycoon's widow. The series opens on the day after a man is buried, and turns that day into the moment two people are locked in the same house.
ep 01
Revenge · 33 episodes · YourChannel
The man he loved married his ruthless father. Now the father is dead, the will locks them together, and the heir will not let the widow leave the manor.
Playback happens in YourChannel's official player, in the browser. We link to nothing else.
The premise is a forbidden love story frozen inside a grief and an inheritance. Three years earlier, Adrian fell for Elias and then watched Elias marry his own father, Roland, a ruthless tycoon. The series opens after Roland's funeral, with Adrian the sole heir and Elias the man Roland left behind.
The series runs 33 episodes in English, with the opening stretch playable on the official YourChannel player. That opening stretch covers the funeral, the confinement, the terms of the will and the first clashes between the two men. The later reckoning — the evidence, the truth about Roland, and where the two of them end up — is left to the show.
The engine of the opening arc is the manor and the will. Adrian, seething with jealousy and hatred, locks Elias in the manor out of twisted obsession. The ninety-day joint-inheritance will keeps them legally bound in the same house. What complicates the confinement is that Elias married Roland to avenge his family's murder by the old magnate — a motive Adrian does not yet know. The early episodes are built on that asymmetry: one man acting on obsession, the other hiding a revenge he is still carrying out.
Series facts checked against the YourChannel listing. Notes cover the opening episodes only; nothing here reveals the ending.
Adrian, Elias and Roland carry the opening arc.
The son who fell madly in love with Elias three years earlier, only to watch Elias marry his own father Roland. After Roland's funeral he becomes the sole heir and, consumed by jealousy and hatred, locks Elias in the manor out of a twisted obsession.
The man Adrian loved, who married Roland — the sixty-seven-year-old tycoon — and is now his widow. Under the terms of the joint-inheritance will he is trapped in the manor, and he carries a secret reason for having married Roland: to avenge his family's murder by the old magnate.
Adrian's sixty-seven-year-old, ruthless father, who married Elias and whose death sets the story in motion. The will he leaves behind keeps the two men bound together, and his crimes — the murder of Elias's family — hang over the whole manor.
Four editorial picks from the opening stretch — the funeral, the confinement and the first clashes under the will. No ending spoilers.
Roland's death makes Adrian the sole heir and Elias the dead tycoon's widow. The series opens on the day after a man is buried, and turns that day into the moment two people are locked in the same house.
Adrian, seething with three years of jealousy, refuses to let Elias leave. The confinement is framed as obsession rather than justice, and it sets the pressure cooker the rest of the opening arc lives in.
A joint-inheritance will binds the two men together for ninety days. The legal mechanism gives the confinement a reason to last, and makes every clash inside the manor matter to both their futures.
The early episodes reveal why Elias married Roland: to avenge his family's murder by the old magnate. It recontextualizes everything Adrian thought he knew about the man he loves.
Captured from the opening episodes — not promotional art.






Written from the opening arc. These are editorial impressions, not audience scores.
The show is built on a pressure cooker: two men, one manor, a will that will not let either leave. The confinement and the misunderstanding do the dramatic work, and the ninety-day clock gives every scene a reason to escalate.
The central complication is that the love is tangled up with a father, a widow and a revenge nobody sees coming. It is melodrama with real teeth — grief, obsession and a buried motive all under one roof.
Best for viewers who like wealthy-family melodrama with a forbidden, emotionally brutal MM romance — inheritance fights, confinement and slow-burn confrontation. The tone is heart-wrenching and twist-heavy, and the opening arc leans on obsession and misunderstanding rather than light comfort. If you want a warm, uncomplicated romance, this one starts in a locked manor.
More revenge shorts, or browse the whole shelf.